Thursday, 19 March 2015

Campus Session M3- 16/03/2015

For the first time I was able to make a Campus session carried out by Paula. This session gave me the opportunity to reflect on everything I had done (picture)¨as well as making a checklist of what the next inquiry stages should be.
Only Ruth and I could make it. However it worked out well as we could really focus on and discuss our topics together in detail through the different stages of writing up the inquiry process.

Step 1
We first started by our journey and experiences in our work practice whilst starting the BAPP course, which brought up ideas for our professional inquiry. We then explained what our project is about, whilst the other wrote notes on our plan and intentions. This brought up ideas on what to add into the introduction of the critical review. For example:
·      My experiences of rejection, tough times, disappointments etc. in my career lead me to the topic of my inquiry in investigating how to keep emotionally resilient though the adversities in the professional ballet industry. These events lead me to dancing with Cape Town City Ballet and currently Vienna Festival Ballet, which shows that the saying “when one door closes another one opens” is true.
·      The fact that I didn’t give up when disappointed showed some sort of resilience, and so I was curious to see where the thought of this ‘inner drive’ and sensation would take me.
This exercise was a good time to self-reflect, thinking back on how to put things right and change things for the better. I was able to conclude one of the main intentions of my inquiry, which is for my readers and audience to be able to relate to it and to the personal experiences of the dancers and of my own.
Two main questions in this section to consider:
What are you doing?
Why are you doing it?

Step 2
Look at the questions you want to find out in your inquiry. Identify your subtopics and/or themes that go with what you have researched. See what sources relate to your inquiry.
E.g. from explaining my intentions and questions, Ruth picked up key themes:
Perfectionism, motivation, control and resilience, positivity, confidence, diet, rejection, injury, relationships
We discussed how to relate these questions and themes to some of the sources I have researched into. For instance, I read one article on the benefit of meditation for dancers where it sets a calmer, more positive and clear mindset to be in control of your thoughts and emotions which will in turn help in a challenge.

Step 3
How will you carry out your investigation? Look into what inquiry tools you will use and know why they are beneficial. Then start interviewing/surveying/discussing/observing.

Step 4
We discussed about the stage of analyzing the work. One thing that would help is to always relate back to the main themes of your inquiry, especially if gathering qualitive data. Here is a visual method of showing how to link the concepts of your topic and findings, to then be able relate them to the evidence you have.

                                                                             Data

                           Literature                                                                        Experience



Step 5
Think more in depth of the intentions for your professional artefact. Consider who your audience is, the benefits of it and how you are going to portray it. Discussing this with Ruth and Paula first clarified who my audience is: younger professional ballet dancers wanting to fulfill their experience and journey as an artist, having the same intentions of giving inspiration and producing ideas/knowledge that the dancers can relate to. They made me aware that I needed to give more thought into how I am going to collaborate the audio and the visual dance footage together to produce some sort of meaning. 
The discussions also brought up ideas for Ruth on how to approach her professional artefact, where it felt great and inspiring to be able to contribute ideas for one another.

Here are some other points picked up from the campus session that will help in the development of the inquiry process:
·      Communicate your writing and explain your journey to your readers- almost in a reporting style
·      Pretend you are reading your work (when editing) like it was someone else
·      Citations- cite them right
·      Sample analysis- what does it mean? What have you found out?
·      The concepts can be shown and followed if you feed it- back up your topic
·      Actively edit and keep work concise
·      Start bibliography early

·      Have journal discussions to get other opinions.

2 comments:

  1. Hi Gabby,

    Thank you so much for writing this, I was not able to make the last campus or skype session so this is really helpful! Would you be able to clarify for me, is "Step 1" the only step about writing your introduction to your inquiry?

    My topic is very different to yours on the surface, as yours appears to be about the emotional roller-coaster that is becoming a ballet dancer and mine is about what defines nutrition for a professional or aspiring dancer. What I've found interesting about this post is in your break down of themes within your topic: "Perfectionism, motivation, control and resilience, positivity, confidence, diet, rejection, injury, relationships" at least four have sprung out to be themes within mine (Confidence, Diet, Positivity, Relationships). It is becoming ever more clear to me that there are so many areas of being a dancer that do not ever really seem to be considered by ourselves or our trainers in order to develop in the best way. In a world that is all about physical "perfection" where "practice never makes perfect" I would say our emotional well being is often forgotten or ignored in our training. This includes our own personal reflections and visions of ourselves. Adesola suggested I watch a movie called "Hungry for Change" and although is mainly about food consumption, the most eye opening part of the movie is where its discusses "Self Affirmation". This is the idea of learning to love, appreciate and accept yourself how you are in order to keep a positive outlook on your life which in turn they argue improves its quality. I am of the opinion that the ballet world does not overly encourage this attitude towards self confidence but more how to fake it when it matters (on stage). Has this come up in your research? Out of interest, as a professional yourself would you agree with my opinion?

    Good luck with starting to write your critical review.

    Bernie

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  2. Hi Bernie
    I suggested to start with the introduction as I personally feel it helps to pinpoint the areas needed to investigate, and create a clearer direction on what has been done and what still needs to be done. However we did discuss to continue to go back, change and edit the introduction from time to time throughout the inquiry process.

    Yes I had read your blog and, especially from your most recent post, I was able to pick up a few of your topics that related to mine such as confidence, positivity etc as well as how emotions can affect one's choice of food.
    I totally agree on how a dancer, or anyone, should be able to appreciate themselves for who they are in order to have a positive outlook in life and in anything they do. This has definitely come up in my research where there is an expectation for dancers to achieve absolute perfection, or for them to have to solve situations that are sometimes out of their control. They feel pressure to impress others, and instead of enjoying the moment or dancing more for themselves, they are constantly worried about what others think which lowers self-esteem and confidence. This could probably affect their eating habits as for instance, if they are worried about what their body looks like to others, an unhealthy approach to food could develop. Faking it when it matters, for example when a dancer has an injury onstage, shows that they might not be looking after themselves. It also comes down to personality and the dancer's priorities. At the end of the day, it is what they feel that will be the one thing no one else can experience or take away, or give out.

    Thanks for the comments and for your opinions, I greatly appreciate it!

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